International stage production The Flowers of Srebrenica marks the 30th anniversary of the Srebrenica genocide.
Based on Aidan Hehir’s illustrated novel, drawing on his experience of travelling from Sarajevo to Srebrenica, the 30th anniversary of the Srebrenica genocide is marked by a new theatre production performed by a cast from Bosnia-Herzegovina, Rwanda, Ukraine, and Ireland. Blending physical theatre, devising, and animated projections, The Flowers of Srebrenica reimagines the narrative of Aidan, a professor and Balkan expert from Ireland, on his first visit to Srebrenica. He arrives in Bosnia-Herzegovina armed with academic knowledge, but by the time he leaves, his certainties are shattered. A cast of women storytellers who are survivors and witness to war create a chorus to frame the piece and draws parallels with current atrocities across the world, challenge the audience to confront their complicity in historical violence, and ask what it means to look at another country’s trauma from the outside.
The Srebrenica genocide occurred between 11th and 16th July 1995. More than 8,000 Bosnian Muslim men and boys were killed by Bosnian Serb forces, and more than 20,000 civilians were expelled from the area. The massacre was the worst episode of mass murder in Europe since WWII.
The Flowers of Srebrenica premieres in Sarajevo before touring to Serbia, Norway, Italy and Jacksons Lane in the UK from 14th – 18th October 2025. At its heart is the memory of Srebrenica. But what does memory mean? A memorial, a grave, a photograph, a survivor’s account? Or can memory become an act of solidarity, something collectively carried, not left solely on the shoulders of those who lived through tragedy?
Director Lara Parmiani (Italy) says, “Srebrenica is not just history, it is a warning. This show isn’t about speaking for Bosnia-Herzegovian. It’s about listening, honouring, and understanding how your story speaks to all of us. It is also about recognising our role as outsiders, and approaching the material with humility and respect.”
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